Stop. For real. Just hold up a second. Now Click HERE to go to Whodat’s Mixcloud and press play on her “No Requests Mix” from June 5th. After that, navigate back here and get the full experience of Whodat’s wonderful art. I want you to hear her mixing while you are reading her thoughts and words, because you got to feel her music if you want to feel her words
Whodat is a detroit-based DJ, producer, record store owner of Ya Digg Records that specializes in tapping into the heart of the rhythms and grooves that propel us all forward and give us a reason to live. Sure, that seems like a high billing, and I am sure you want me to tell you what “genres” she spins. But that does not matter. She spins music. She spins hope, love, and an assortment of all the emotions that we all experience in our lives. Just listen to this No Requests Mix I told you to listen to above. Like Jaco Pastorius with the fretless bass during the Jazz Fusion era, she steps right into the pocket and bends these disparate bits of vinyl into an ever-unfolding groove that just grips you and compels you to move, feel, and be human. Her production work is no different. This past March she got her first vinyl release on London based Uzuri Records, and it shows her incorporating key elements from all those hours listening to and spinning vinyl into new works of art that show her finding her own way to speak to and build on those jazz, house, soul, disco, pop, etc. recordings.
I obviously feel her music is on point, but her art transcends it being just a musical experience. What oozes out of everything she does is a love and reverence for the dance music community, vinyl, and music in general. Now I am being purposeful in the use of the word reverence, because I feel she does more than just enjoy and live her art. It goes deeper than that. She has a deep respect for the rituals of finding records, mixing vinyl, and creating music, which reveals how she thinks that all these practices are incredibly sacred and deserve to be respected and honored. What an important and thought-provoking idea to think of all of the actions we take to build our dance communities, share our art, and create as sacred acts that get us in touch directly with what it means to be a living, breathing human on this planet. Are we treating our listening, dancing, mixing, community building as sacred? Are we protecting these practices and teaching others how to do them? These are important questions that whodat’s approach and thoughts bring up for me, and I was struck by how they got me to see the deep beauty in all that we do.
Whodat will be bringing all this goodness to Musicality this coming Friday (6/28) at Double Happiness and I hope you can attend. I know I will be there with everyone else trying to find a little bit about the world and myself in the sacred practices of dancing with others to the same beat. The show is $5 at the door. Support your scene, by paying for the artistic and musical experiences you go to! Event Details can be found on the Facebook. In the meantime, enjoy her thoughts and check out more of her mix work and her originals on Soundcloud.
Local Autonomy: How does sound and music influence the way you live and experience life?
Whodat: Music and sound influences everything in my life. While I’m cooking, washing dishes, driving, walking, reading, resting, doing laundry, everything. (LOL) I can even hear sounds while I’m sleeping. I don’t dream much but there are a lot of soundscapes going on. It’s what keeps me going. I don’t know what I would do without it. Music has saved my life. I think music keeps me in sync. When I feel off balance or out of sorts, I just listen to something that will get me back on track.
LA: How did you get into “dance music” (house/techno/etc.)?
Whodat: The Electrifying Mojo, The Wizard and The Scene.
LA: I have been listening to the products of your 303030 project on Mixcloud where you did one thirty minute mix a day for thirty days. How has that experience shaped your music production and mixing over the last 1-2 years?
Whodat: The 303030 project helped me learn my strengths and weaknesses. Showed me where I needed to expand my record collection. I found out what tracks I zone out to. I like most of the stuff I have but there are some that just make me lose it. The 303030 Project also let me know there are some tracks that I need to know more deeply because even if I’m not feeling it a certain way, I can hear them in certain way.I would like to understand those tracks better, which just means I need to study andlisten more closely. Also, how putting all of my records and feelings together is going to be lifelong process. (SMH, LOL) As far as production goes, I did not remember anything after I had surgery. So I had to start over. It was extremely frustrating at first because I could remember that I used to do it but could not remember how to do anything. Which turned out to be a good thing, cause I relearned what I use to know even better and picked up somenew things along the way.
LA: You own a record store called Ya Digg. You spin records. What does vinyl mean to you and the art you create?
Whodat: Vinyl is a treasure. You are always on the hunt for it. It’s played with diamonds and made from petroleum. Vinyl is the longest existing medium for recordings. The frequencies and vibrations that come from the cut grooves of vinyl encompasses you when you hear it. The warmth of it is incredible. Being able to touch what you are hearing. Being able to see that break coming up. Sensing how much time is left on the track just by looking at the grooves. The challenge of mixing, blending or just bringing in a track at the right time every time you put on a record. Sometimes you win, sometimes you lose. (LOL) There is a ritual for everything that has to do with vinyl. The process of making vinyl is a sacred ritual. Digging, listening, selecting, carrying and playing vinyl are all sacred rituals. When creating art, you should consider your talent as a blessing and develop a sacred ritual for producing your art. Never take it for granted and don’t allow others to take it for granted either.
LA: You live in Detroit, a city steeped in musical history. Now the simple question would be to ask how that city has influenced you, but I want to ask a different question. How do you think the music you and your contemporaries make influences the city of Detroit?
Whodat: Honestly, I’m not sure if it is or how much it is. It’s not very visible in Detroit, you have to look for it. I can see our music influencing people on the outside of the city, state, country but not as much the in city. I see it influencing people that already know about our music. So I guess we have to work on changing that. There have been a lot changes over the years with the decline of radio, record stores and the pressing of vinyl. But I think artists from Detroit need to work more collectively to have our music influence people in Detroit. We need more record stores, venues, workshops and lectures that specialize in what we do. Not just events and parties. We still need those too but there needs to be more than just that.