A Closer Look: Kon

Kon Summer[Photos Courtesy of LeanRock]

Its been at a clear and present DEFCON 5 status in the Loc Aut offices here for the last month since I emerged from my hiatus! The scene has been bumping with a diversity of sounds that would make anyone proud to call this city their home. ( I don’t care what all you haters say about Columbus, you should be proud of this city.)  I have been pouring my thoughts down on this page just trying to capture something of my excitement I feel of being part of our community. This weekend is no exception.  Not only do we got a open format noise, techno, experimental show, but DJ Kon is coming through with Jason Allen [Squared] to play the 2 year anniversary of Musicalityat Double Happiness tomorrow Friday, September 26. [Event Details HERE]

What? You haven’t heard of Kon. Well, you best do some digging to update yourself on who this artist is. [Good places to start are his interviews with Resident Advisor & LeanRock.] He is a one of those rare renaissance artists that has spent time building his skills writing, composing, dancing, graffiti writing, digging, and DJing. There are few cats that I know that have developed such a broad array of means of communicating and learning about music, art, and history. The only way I can describe him to folks is that he is dangerous. He is someone who will defy all means of placing him in a box. he understands what the real is and doesn’t deviate from this path. He doesn’t get bogged down in genre. He doesn’t play that game. Like any artists that is conversant in the vocabularies of sound, he spins what he feels. He spins the truth. He spins a historical tapestry that weaves a thread of emotion and soul through the past and present showing the interconnections of all our efforts to express ourselves through music. He spins up, down, around, and in back of all definitions you had for his art. This is why he is dangerous. He breaks down barriers. He breaks down our mental crutches that prevent us from communing with the sound and soul of the music. He comes to us as a humble, wise artist that is trying to share a message with us. Will we open ourselves up to what he wants to teach us?

I hope you do. You can catch him at Double Happiness with Jason Allen and the Musicality crew of Dedikate, Trueskills, and Craig Huckaby this Friday [Yes, that is tomorrow]. In the mean time, check out an example of his mix work and read the interview he was kind enough to do with me.

Mix Work:

Interview:

Local Autonomy: You have been involved with spinning, collecting, and producing music for 20-30 years. What does music and sound more broadly mean to the way you live and experience life?

Kon: Music is emotion manifested through sound, I am.. like many others a sponge. It chose me.

Local Autonomy: I am deeply interested in the history of music, and the role DJs and producers played as messengers or teachers. So you can imagine I was amp’d when I happened upon your interview with Lean and you said, “We are messengers, period.” What messages are you trying to pass on to people with your art?

Kon: Well, I am known to have some rather loud opinions.. and can be very outspoken, certainly passionate for sure. That said I am a student 1st, always learning. My brain is saturated with music and sounds, titles, pictures and years. Basically… if what I play or make resonates with people… cool, get on this ride with me, my story, my view, it consists of many styles, many sounds and I would hope at the very least brings other open minded, like minded folks together, if not thats cool too.. the door is open, you always have a choice.

Kon in the stacks[Photo Courtesy of LeanRock]

Local Autonomy: You have spent a lot of time digging through bins for records. I too really love just clearing my head and taking a walk through the bins to see where they take me. What have you learned about music and yourself taking the time to look through crates of vinyl?

Kon: As for hitting spots for records, I’ve learned to always eat and be on a full stomach, have a bottle of water with you, a portable is a plus…. and never judge a record by its cover. As for the music itself, its all about mood. Some records I got 20 years ago hit me in a different way now, that song I liked most may not even be my go to jam on that record anymore.

Local Autonomy: Listening to your productions, mixes, and edits, it is obvious that you are able to integrate the musical vocabularies of so many forms of music into your work. What role do you think learning and understanding the music vocabularies of disco, soul, funk, hip hop, and house has had in how you approach DJ’ing and producing?

Kon: Luckily for me I am a 70s baby. The singer song writer era. Politically charged times and the music showed us that. I was exposed to a vast amount of genres of music as a boy. Rock, pop, r&b, soul, new wave, punk… I always found authenticity within every one of those genres, be it the 1st B-52s, The Pretenders, Tom Petty, Prince, Cameo, Souxie & The Banshees, The Clash, Chic, Stevie, etc, etc.
Disco came to be popular in the late 70s and early 80s. Most times I never fit in with the rest of the kids as they were into things for their own age so to speak. I was hanging out with adults and my musical palette was a direct reflection of it.
As for hip hop tho….it showed me how to put it all together, make sense of it all.
The 1st rap records are disco records. The 80s came and the advent of sampling came into play. Things have never been the same. I combine all that I have soaked up, and I dunno… I guess it just it what it is. No rules, and if there are any break them.

Kon Tag[Photos Courtesy of LeanRock]

Kon on Twitter

Kon Blog

Kon Mixwork on Soul Clap

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